Over 40 contemporary artists have made new artworks in response to a postcard version of Velázquez’s masterpiece, Las Meninas for an exhibition at General Practice in Lincoln. ‘Enough is Definitely Enough’ which opens on 30 March and runs to 13 April, features a huge variety of different artistic responses to the Spanish painter’s masterpiece - arguably the most widely interpreted of all paintings.
Art Historian Daniel Arasse reflected many people's view that everything, or perhaps even nothing, has been said about Las Meninas -"what's the difference, enough is definitely enough!". The artists in the exhibition build upon previous interpretations by renowned artists such as Pablo Picasso, Richard Hamilton, Francesco Goya and Eve Sussman. Artists have long been actively influenced by the centuries old painting by Velázquez; with their responses, in turn, offering influence back to Las Meninasto enable new readings. With the artworks made for ‘Enough is Definitely Enough’ there is potential for new relationships with Velasquez's original painting to open up.
The exhibition is curated by Andrew Bracey and forms part of his PhD research at the University of Lincoln. He is exploring how contemporary artists have used and appropriated existing paintings by other artists, through a position of using the metaphor of the parasite and symbiosis in connection with painting.
Artists:Euripides Altintzoglou, Tristram M Aver, Maggie Ayliffe, Sarah Bennett, Juan Bolivar, Andrew Bracey, Louise Bristow, Kate Buckley and Nick Simpson, Louisa Chambers, Fiona Curran, Gordon Dalton, Karen David, Annabel Dover, Steve Dutton, Leo Fitzmaurice, Rebecca Fortnum, Rachel Goodyear, Simón Granell, Tom Hackney, Sharon Hall, Lesley Halliwell, Simon Harris, Sarah R Key, Ilona Kiss, Geoff Diego Litherland, Cathy Lomax, Rachel Lumsden, Danica Maier, David Manley, Enzo Marra, Andy Pepper, Yelena Popova, James Quinn, Daniel Rapley, Lucy Renton, John Rimmer, John M Robinson, David Ryan, Stephen Snoddy, Soheila Sokhanvari, Annabel Tilley, Alun Williams, Gerard Williams
Andrew Bracey 2019
hardwood, card, collage from World of Interiors